A obra fica em exposição na CCMQ (6º andar) até 25 de outubro. Faz parte das novas doações recebidas pelo museu.
quinta-feira, 20 de outubro de 2011
terça-feira, 4 de outubro de 2011
Entrevista com/Interview with Victor I. Stoichita
Your book is the first study of its kind. Why do you think the subject was previously so overlooked?
I actually started my research with that very question. Just before the publication of my book, an exhibition on shadows was organized at the National Gallery in London, accompanied by a short but interesting text by the late Ernst Gombrich. But previously art historians took a long time in paying attention to shadows because shadows are, so to speak, heavy, dark, and ugly. Perhaps this is because for the Greeks, the shadow was one of the metaphors for the psyche, the soul. A dead person’s soul was compared to a shadow, and Hades was the land of shadows, the land of death.
More info:
http://www.cabinetmagazine.org/issues/24/stoichita.php
E-book: http://books.google.com/books?id=1ssrLKfPY1wC&printsec=frontcover&hl=pt-BR&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
I actually started my research with that very question. Just before the publication of my book, an exhibition on shadows was organized at the National Gallery in London, accompanied by a short but interesting text by the late Ernst Gombrich. But previously art historians took a long time in paying attention to shadows because shadows are, so to speak, heavy, dark, and ugly. Perhaps this is because for the Greeks, the shadow was one of the metaphors for the psyche, the soul. A dead person’s soul was compared to a shadow, and Hades was the land of shadows, the land of death.
More info:
http://www.cabinetmagazine.org/issues/24/stoichita.php
E-book: http://books.google.com/books?id=1ssrLKfPY1wC&printsec=frontcover&hl=pt-BR&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
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